推荐回答(1个)
我一直讨厌散文,不止是因为考试要考,而且还因为呆板无趣,看着想让人睡觉,每次看着看着都是迷迷糊糊,让人讨厌。所以我的书架上什么书都有,就是没有散文集,。像什么朱自清﹑老舍﹑巴金等人的散文实在是除了被迫才读几篇,否则几乎不看,因为这是在太无聊了。但是,相比之下我认为汪曾祺的散文要比其他人好多了,他的散文轻松自在,而且总会在不经意间流露出一丝丝隐秘的幽默,让人嘴巴一咧,会心一笑。他的手法很有意思,总会在文中一些微妙的地方加上几句看似文不对题的几句话,却又在无意间把文章提升到了另一个层次。有人评价:汪曾祺的散文没有结构的苦心经营,也不追求题旨的玄奥深奇,平淡质朴,娓娓道来,如话家常;汪曾祺的散文写风俗,谈文化,忆旧闻,述掌故,寄乡情,花鸟鱼虫,瓜果食物,无所不涉;汪曾祺则是要从内容到形式上建立一种原汁原味的“本色艺术”或“绿色艺术”,创造真境界,传达真情,引领人们到达精神世界的净土。在这本书中他的《跑警报》很有意思写出了西南联大在昆明时逃飞机轰炸时的许多趣事,当预行警报的灯笼挂出,人们从驿道撤入郊区的深山老林,警报响起后,男生手里提了一大袋零食在宿舍门口等人,直到女生出来了以后上去“嗨”一声以后欣然地肩走出后门带着闲适的心,嘴里啃着零食,又因为是跑警报所以不能悠哉悠哉的,得带一些危险感,但还是显得不紧不慢。让人不得不感慨道:“原来跑警报也可以这样”
又比如说《五味》他用了风趣的笔法写出了全国各地的饮食习惯以及一些趣闻,比如山西人的酸,四川人的麻辣,无锡的甜,当然包括全国各地的人都喜欢的臭豆腐。是的,中国人口味之杂也,敢说堪为世界之冠。 当我仔细回想一下后,也就发现原来《舌尖上的中国》应该是根据这篇文章改变的吧。我当然也喜欢他的《端午的鸭蛋》就连上课时也很想知道老师到底是怎样上这节课的。
我比较喜欢的还有《多年父子成兄弟》,一对父子之中并不需要过多的语言,那无与伦比的“孩子王”给我留下了很深的印象,在早春的时候带着一大堆孩子在田野上狂奔,“我”初恋时,父亲在旁给我出馊主意,这种父亲哪里能够看见:如此民主而且回去理解孩子,从孩子身上学会不怕担干系,只是本着同学有难就要两肋插刀的的淳朴精神而去帮助他们。儿女是属于他们自己的。他们的现在,和他们的未来,都应由他们自己来设计。
文如其人,汪曾祺散文的平淡质朴,不事雕琢,缘于他心境的淡泊和对人情世故的达观与超脱,即使身处逆境,也心境释然。
我真的很喜欢这个作家和他一样幽默自在的散文,自由自在让人一看上去就可以轻而易举的理解,他并没有苦心去钻研如何写,同时也不用我们广大的读者去钻研如何读,只是像饭后的水果让人心里甜滋滋的,只是需要一颗轻松自在的心。
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